Saturday, August 19, 2006

Featured Event of the Month

The 2006 AMS Martial ArtsLeaders Summit
November 3-5, 2006
Orlando, Florida
Get complete details at: www.amsevents.com
This is one of the biggest events of the year. Don't miss it!

Sponsored by www.TheMartialArtsMarket.com .

Karate Seminars

will update next week please come back then. Thank you.

Karate Tournaments

February 24, 2007
Clearwater, Florida

Carl Stone Presents:
The Ringstar Challenge Light Contact Kickboxing
For more details call (727) 585-8753

March 17, 2007
Clearwater, Florida

9th Annual Suncoast Open
Promoters: John Gabriel & Ed Gaska
Get complete details and registration forms at www.flma.net

April 21st 2007
Hialeah, Florida

The 2007 Miami Open
Karate Championships
Contact Professor Manny Reyes at 305-696-0099

April 28th 2007
Sarasota, Florida

John Garcia & Charles Woods Present
Sarasota Martial Arts Challenge
Contact: John Garcia at 941-321-8993

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www.TheMartialArtsMarket.com
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Karate Camps

This site will launch September 5th please check back then.

special announcement

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How To Be A Martial Arts Weapons Champion

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How To Be A Breaking Champion

To Be A Breaking Champion you need to understand the physics of a karate chop.
By Richard Hackworth

Scientists say it's not a trick--it just takes blinding speed and a couple thousand newtons
ADVANCED DEGREES IN PHYSICS come in different varieties. At the Henan Institute of Technology; students earn them by writing a dissertation. At the American Dragon Martial Arts Academies in Orlando, Florida, they earn them by breaking one-inch-thick pine boards. Lots of them.
Chris Courington, a fourth-degree black belt in Taekwondo, is happy to demonstrate his grasp of the scientific principles. First, he adjusts his belt. Then he lets out a short, sharp yell, snaps his left leg forward, and smashes his foot through three boards, showering the mat with splinters. "Five boards is about the most I can break," Courington says. "But I'm not really limited by strength; I'm more or less limited by the size of the hands holding the boards."
Few things offer more visceral proof of the power of physics than a karate chop. Punch a brick with your bare hand, untutored in the martial arts, and you may break a finger. Punch it with the proper force, momentum, and positioning, and you'll break the brick instead. "Amazingly, there are no tricks involved at all," says Michael Feld, a physicist at MIT. "What you have here is one of the most efficient human movements ever conceived. We've found nothing in our studies to improve upon the art."

In the late 1970s, when Feld was earning a brown belt in karate, his instructor, Ronald McNair, also happened to be his physics student. (McNair later died tragically while working as a scientist-astronaut aboard Space Shuttle Challenger.) The secret to karate, both men agreed, lies in the speed and exceptional focus of the strike. But just how fast does a karate punch move? To find out, they joined with undergraduate Stephen Wilk and set up a strobe light that flashed either 60 or 120 times per second. Then they photographed McNair and others throwing various kicks and punches. Once the film was developed, they could calculate the speed of a punch by counting how many times the strobe flashed until the fist hit its target.
Feld and McNair found that beginning students can throw a karate chop at about 20 feet per second--just enough to break a one-inch board. But a black belt like McNair could chop at 46 feet per second. At that speed, a 1 1/2-pound hand can deliver a wallop of up to 2,800 newtons (one newton is roughly equal to the force exerted by the weight of an apple). Splitting a typical concrete slab 1 1/2 inches thick takes on average only 1,900 newtons.
Of course, the best boxers can punch as quickly and powerfully as any black belt. Why can't they break concrete blocks too? The answer lies in the nature of their punches. When a boxer throws his fist, he usually ends the movement with follow-through. This gives the punch maximum momentum (golf and tennis players follow through for the same reason), and it can help knock an opponent down. But the impact itself is diffuse: It's meant to jar an opponent's brain, not crack his skull.
A karate chop, on the other hand, has no follow-through at all: It lashes out like a cobra and then withdraws instantly When a black belt hits a slab of concrete, for instance, his fist touches the block for fewer than five milliseconds, and yet the block breaks with a resounding crack.
To understand how this works, Jearl Walker, a former tae kwon do student who now teaches physics at Cleveland State University, set up a study much like Feld's and McNair's. A well-thrown fist, he found, reaches its maximum velocity when the arm is about 80 percent extended. "That's exactly what my tae kwon do master had taught me," Walker says. "You learn to focus your punch in your imagination so that it terminates inside your opponent's body, rather than on the surface. To deliver the maximum power, you want to make contact before the slowdown begins."
The purpose of all that focused power is brutally obvious: to break bones and rupture tissue. But success also depends on more subtle forces. Solid as they seem, all materials are at least slightly elastic. Whack them in the right spot and they will start to oscillate. A punch with a follow-through would dampen such oscillations, but a karate chop, by pulling away at the last moment, lets them move freely "If you tweak a rubber band it goes up and down, and the same is true if you tweak a board or a brick with a much greater force," Feld says. "When they reach their elastic limits, they start to yield. In other words, they break."
Fortunately for most of us, reaching that limit in bones is no easy matter. Feld says bone can withstand 40 times more force than concrete, and a cylinder of bone less than an inch in diameter and 2 1/3 inches long can withstand a force of more than 25,000 newtons. Hands and feet can withstand even more than that, because their skin, muscles, ligaments, tendons, and cartilage absorb a great deal of impact. As a result, a well-kicked foot can absorb about 2,000 times as much force as concrete before breaking.
Feld himself has never broken a finger in karate, even though he once broke eight one-inch-thick boards at a time. Still, good bones and a Ph.D. in physics alone couldn't earn him a black belt. "Tiger Woods didn't just wake up one morning and start hitting a ball 320 yards, and we don't just walk in and shatter a cinderblock," says Sihak Henry Cho, grand master at the Karate Institute. "Everybody has to work at it."

Students not only have to increase their speed and improve their aim, they have to toughen up their hands and feet by striking them against a post wrapped in foam and canvas. "In the beginning, your skin is so soft you may end up cutting it. And then comes the blood," Cho says. "This is not recommended." Over time, the shuto, or knife-edge of the hand, develops a callus that acts exactly like a car bumper, absorbing and diffusing the force of the collision. "You practice every day hitting harder and harder and harder, and then you can hit as hard as you can without really getting hurt," Cho says.
Martial arts experts take care to break only those things that can actually be broken. When whacking a pine board, for instance, they align it with the grain running parallel to the strike, so that it cleaves easily If they're looking for something more challenging, they'll choose patio blocks made of concrete rather than bricks, which are much less brittle.
As students advance, they spend more of their time focusing on form and finesse than on trying to break ever-thicker materials. "Rather than seeing students break a dozen boards, I'd like to see them jump over my shoulder and break one board while flying through the air," Cho says. As a young man in Korea, he learned to prop a brick on top of a post and shear it in two with the side of his hand--leaving one half of the brick still perched on the post. In 1967, at a martial arts championship in Madison Square Garden (where Cho says he introduced his friend Bruce Lee to that year's champion, Chuck Norris), Cho performed an even neater trick. Leaping into the air with a roundhouse kick, he split a single inch-thick board that his partner was dangling by a string.

"Being good at karate is a lot like being good at telling a joke," Cho says. "It's not what you break; it's how you break it."

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How To Be A Sparring Champion

Coming Soon!

How To Become A Forms Champion

The How To Become a Forms Champion Section is sponsored by the Action Radio Network.

10 Tips To Becoming A Forms Champion By Master Shane Miller

There are many factors that officials look for when judging competition forms. Here are 10 tips that should help you perform like a champion the next time you step in the ring.

1. Basics: Regardless of your rank, your basics need to be sharp. As a beginner, your basics might consist of a front kick and some simple punches. As an advanced competitor, your basics might include spinning kicks, jumping kicks or multiple hand combinations.

2. Stances: Stances are like the foundation of house. If they’re weak, you’ll have weak foundation or a poorly built house. If they’re strong, you’ll have a strong foundation or strong, sturdy home. Keep your stances as low as they should be. Be sure that your weight distribution and foot alignment are accurate. Your posture is also very important before and after your presentation.

3. Power: A form is a self-defense scenario against imaginary opponents.
Therefore, your movements better be effective. Strong kicks, punches and blocks are essential. It’s better to have a strong low kick rather than a weak high kick. Don’t give up power for flash.

4. Balance: Stumbling during a forms routine is a major error. Don’t think it’s impossible to lose your balance, especially if you’re throwing advanced techniques. Therefore, demonstrate good balance and show that you are in control during the entire routine.

5. Speed: Some basic, traditional forms do not require much speed from strike to strike. However, even in a simple form, show great speed in a single kick or a single punch. In the more advanced forms, showing a quick combination of movements is important. Try not to make your entire routine a blur. Stop for a couple of seconds after each combo to let the judges appreciate your solid stances, incredible balance and perfect basics. Don’t emphasize speed exclusively.

6. Intensity and Presence: Remember, when you are performing a form, you are fighting imaginary opponents. Therefore, you should not have a blank look on your face or a smile. Be intense. Use your facial expressions to let the judges visualize what you are really doing. Be vocal and use your internal Ki (energy) to deliver more power through your kiai (spirit yell).

7. Focus and Concentration: You must focus if you want your techniques to be accurate. Usually, when a person’s eyes start to wander, he is unsure of his next move. Don’t lose your concentration, whether you didn’t practice enough or because someone starts playing loud music in the ring next to you.

8. Flexibility: If your flexibility is good, you will be able to perform harder, high impact kicks or spinning and jumping moves. I don’t think there is anything more exciting than watching someone throw a kick straight up with good execution and power. If you’re watching a traditionalist, good flexibility will allow you to move with greater ease.

9. Difficulty and Movements: The more difficult your moves are, the higher you’ll score. However, many people put difficult moves in their routines before they are ready to throw them flawlessly. Wait until you can nail them every time.

10. Have a Good Backup: Make sure you know the rules regarding ties. Some tournaments may require a different form or routine. Even if they don’t require a different form, have a solid backup. If you can go out and do a different form just as well as the first, you are showing how multi-dimensional you are.

About the author: Shane Miller is the US National Taekwondo Association Director and Coach of the USNTA Competition and Demonstration Teams. He has judged and refereed hundreds of tournament matches for both freestyle and Olympic style competition. He can be reached at mamericandragon@cfl.rr.com . Hear his radio show at www.ActionRadio.net .

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